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A penetrating look at the company at the nexus of big business, government, and defense The Carlyle Group is one of the largest private equity firms in the world with over $13 billion in funds. Carlyle's investments include everything from defense contractors to telecommunications and aerospace companies. But there is more to this company than meets the eye. Carlyle's executives include heavyweights from the worlds of business and politics, such as former secretary of defense and CIA deputy director Frank Carlucci, former secretary of state James Baker III, former President George Bush, former UK Prime Minister John Major, and former chairman of the SEC Arthur Levitt. Osama Bin Laden's estra...
When most people think of movie musicals, films like "Singin' in the Rain", "Sound of Music", "The Red Shoes", "On the Town", "White Christmas", "Ziegfeld Follies", "Top Hat", "Funny Face" and "Funny Girl" immediately come to mind. Such films are included in this book, as are many of the works of major stars, including Fred Astaire, Bing Crosby, Gene Kelly, Betty Grable, Shirley Temple, Julie Andrews, Elvis Presley, Lucille Ball, Alice Faye, Jeanette MacDonald, Maurice Chevalier, Nelson Eddy, Doris Day, Dick Powell, Betty Hutton, Eleanor Powell, and Al Jolson. But attention is also drawn to less lavishly produced but very pleasant musical offerings from both major and minor studios (including perhaps the finest "B" musical ever made). In all, 125 pictures are reviewed and detailed with full cast and technical credits, plus songs and musical numbers, awards, release dates and other essential background information.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1972.
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When a sudden pardon springs the powerful pyro-kinetic formerly known as Chato Santana from Belle Reve Prison-and frees him from the control of Task Force XÕs ruthless commander, Amanda Waller-his only desire is to return home to reunite with his family. But a vicious attack cuts short his plan and puts him on the radar of Checkmate, a metahuman black ops organization that puts the Suicide Squad to shame. Alongside his new comrades, El Diablo embarks on a whirlwind tour of the DC UniverseÕs most dangerous hotspots, from the technological terrors of Metropolis to the dark nights of Gotham City, making strange allies and unstoppable enemies along the way. With his old team closing in and his new teamÕs agenda shrouded in mystery, will the devil get his due, or is El Diablo doomed to die once more? Find out in SUICIDE SQUAD MOST WANTED: EL DIABLO, a scorching new thriller featuring the fiery antihero from the award-winning movie Suicide Squad, from writer JAI NITZ and artist CLIFF RICHARDS! Collects the El Diablo stories from SUICIDE SQUAD MOST WANTED #1-6.
The popular film critic offers full-length reviews of his choices for the best one thousand movies from the 1990s to today.
Rock and roll's death has been forecast nearly since its birth; the country song "The Death of Rock and Roll" appeared in September 1956, showing that the music had already outraged a more conservative listening audience. Is Rock Dead? sets out to explore the varied and sometimes conflicting ways in which the death of rock has been discussed both within the discourse of popular music and American culture. If rock is dead, when did it die? Who killed it? Why do rock journalists lament its passing? Has its academic acceptance stabbed it in the back or resuscitated an otherwise lifeless corpse? Why is rock music the music that conservatives love to hate? On the other side of the coin, how have rock's biggest fans helped nail shut the coffin? Does rock feed on its own death-and-rebirth? Finally, what signs of life are there showing that rock, in fact, is surviving? Is Rock Dead? will appeal to all those who take seriously the notion that rock is a serious musical form. It will appeal to students of popular music and culture, and all those who have ever spun a 45, cranked up the radio, or strummed an air guitar.
Develops a comparative de-colonial framework for visual culture studies.