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Puji syukur selalu kami panjatkan ke hadirat Allah Swt. yang telah memberikan semua nikmat-Nya sehingga penulis berhasil menyelesaikan buku yang berjudul Dinamika Kejahatan dan Pencegahannya: Potret Beberapa Kasus Kejahatan di Provinsi Riau ini dengan tepat waktu tanpa adanya kendala yang berarti. Keberhasilan penyusunan buku ini tentunya bukan atas usaha penulis saja, tetapi ada banyak pihak yang turut membantu dan memberikan dukungan untuk suksesnya penulisan buku ini. Untuk itu, penulis mengucapkan terima kasih yang sebesar-besarnya kepada semua pihak yang telah memberikan dukungan, baik secara morel ataupun materiel sehingga buku ini berhasil disusun. Buku yang ada di hadapan pembaca ini tentu tidak luput dari kekurangan. Selalu ada celah untuk perbaikan. Oleh karena itu, kritik, saran, serta masukan dari pembaca sangat kami harapan. Untuk itu, kami sangat terbuka supaya buku ini semakin sempurna dan lengkap.
A landmark retrospective on the Art Deco painter exploring her intersectional identities Tamara de Lempicka (1894-1980), the "Baroness with a Brush," is often cast as one of Art Deco's most celebrated artists, though her work transcends categorization, incorporating elements of Cubism and Neoclassicism in a distinctive, sensuous blend of form and function. Lempicka's paintings, including a self-portrait as the driver of a sleek green Bugatti, often depict dazzling, self-assured women, exuding elegance and transgressive sexuality while combining the modern with the classical. This gorgeous survey presents the full arc of Lempicka's career in the context of her life and her evolving identity, ...
Step into Ernst Wolzogen's Motley Theater, Max Reinhardt's Sound and Smoke, Rudolf Nelson's Chat noir, and Friedrich Hollaender's Tingel-Tangel. Enjoy Claire Waldoff's rendering of a lower-class Berliner, Kurt Tucholsky's satirical songs, and Walter Mehring's Dadaist experiments, as Peter Jelavich spotlights Berlin's cabarets from the day the curtain first went up, in 1901, until the Nazi regime brought it down. Fads and fashions, sexual mores and political ideologies--all were subject to satire and parody on the cabaret stage. This book follows the changing treatment of these themes, and the fate of cabaret itself, through the most turbulent decades of modern German history: the prosperous ...
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The essays in this book trace the origins of ongoing heated debates regarding trauma.
The publication of this novel, Godbout's first, was seen as a watershed event in French-Canadian literary history: The Aquarium broke out of the mold of the literary traditionalism and realism that had been dominant until then, and it is generally hailed as having inaugurated the nouveau roman in Québec. The action is set in an unnamed third-world country on the brink of independence, and the plot centers around a group of tense expatriates residing in the Casa Occidentale.