You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Weird Fiction Quarterly does Folk Horror! Once again we bring you the finest in our now-signature 500 word flash fiction and exquisite poetry contributions, featuring over 60 writers from all around the globe and a dubious burlap sackful of color illustrations by our own Sarah Walker! Visit a strange, quaint village where the yearly festival is Everything. Call on the cunning woman or the witch doctor for a cure that might cost your very soul. Go deep into the woods in search of what may be a monster—or some forgotten god that Must be Appeased. Find a famous cryptid or two in (very) unexpected places! However you think of Folk Horror, hold onto your garland of flowers, because, as with every issue of Weird Fiction Quarterly, there is no possible way to prepare yourself for what could pop up in these pages. Portals open and close; trees are not what they seem. Tales from different countries and cultures intermingle. From the wilds you hear the reel of bewitching pipes. Whether or not you follow them, folks, things around these parts are about to get really weird!
The 2022 issue of Startling Stories presents more action-packed science fiction adventures. Here are tales of strange worlds, stranger civilization, mech warriors, adventures in space, and much, much more! Included in this issue are: "Out on the Edge," by Darrell Schweitzer "A Quickening Tide," by A.J. McIntosh & Andrew J. Wilson "Pharmakon, Pharmakon," by M. Stern "Rising from the Devil's Planet," by Adrian Cole "Speaking with John Shirley" (Interview), conducted by Darrell Schweitzer "Through Time and Space with Ferdinand Feghoot: Alpha," by Grendel Briarton, Jr. "Hua Gu Quan (Flower Drum Circle)," by Frances Lu-Pai Ippolito "You're Sunk!" by Cynthia Ward "Introduction to Thoughts That Kill," by Phil Harbottle "Thoughts That Kill," by John Russell Fearn and Ron Turner (Comics Feature) "Sharptooth," by Lorenzo Crescenti "Just Like You and Me," by Stephen Persing "Tears In My Algabeer," by Eric Del Carlo "The Lost City of Los Angeles," by John Shirley "The Colour of Nothing," by Mike Chin
A showcase of poetry from some of the darkest and most lyrical voices of women in horror. A follow-up to the award-winning poetry showcase Under Her Skin, UNDER HER EYE features the best in never-before-published dark verse and lyrical prose from the voices of Women in Horror, themed on domestic horror and the terror women too often experience in their own homes. Edited by Lindy Ryan and Lee Murray, UNDER HER EYE celebrates women in horror from cover to cover. In addition to poems contributed by over one hundred poets worldwide, the collection features poems from Stephanie M. Wytovich, Jessica McHugh, and Marge Simon, with cover art by noted horror artist Lynne Hansen and an introduction by Bram Stoker Award®-winning poet Sara Tantlinger. This showcase is produced in partnership with The Pixel Project, a global non-profit organization focused on ending violence against women globally.
For more than four decades, Ellen Datlow has been at the center of horror. Bringing you the most frightening and terrifying stories, Datlow always has her finger on the pulse of what horror readers crave. Now, with the sixteenth volume of the series, Datlow is back again to bring you the stories that will keep you up at night. Encompassed in the pages of The Best Horror of the Year have been such illustrious writers as: Neil Gaiman, Stephen King, Stephen Graham Jones, Joyce Carol Oates, Laird Barron, Mira Grant, and many others.
From hungry ghosts, vampiric babies, and shapeshifting fox spirits to the avenging White Lady of urban legend, for generations, Asian women's roles have been shaped and defined through myth and story. In Unquiet Spirits, Asian writers of horror reflect on the impact of superstition, spirits, and the supernatural in this unique collection of 21 personal essays exploring themes of otherness, identity, expectation, duty, and loss, and leading, ultimately, to understanding and empowerment.
Another deluxe edition of new writing and neglected perspectives. Asian ghosts, from India to China, Japan to Thailand, Korea to the Philippines, can be both terrifying and comforting. Underpinned by strong cultural beliefs in the cycles of life and ancestor worship, the nature of Asian spirits differs from that of their counterparts in other areas of the world. The possibility is more instinctually accepted that ghosts remain with us, as part of the world, whether we can see them or not. In Saigon The Daughter of Hui Bi Hua roams the corridors of the Ho Chi Minh City Museum of Art, in Japan the Kappa displays an insatiable appetite for cucumbers, in Indonesia the Kuntilanak is a wicked spirit, feared by all, and in Thailand the Preta is a disgusting, hungry ghost. The Flame Tree Gothic Fantasy, Classic Stories and Epic Tales collections bring together the entire range of myth, folklore and modern short fiction. Highlighting the roots of suspense, supernatural, science fiction and mystery stories, the books in Flame Tree Collections series are beautifully presented, perfect as a gift and offer a lifetime of reading pleasure.
Music soothes the savage beast...or so they say. But in this tome of terror, music is more than just a placebo for the masses. It is the dark divination of witches, the motivation for revenge, and the power to change the mind, soul, and body of every creature unlucky enough to hear it. In it, you'll find possessed rock stars, killer radio stations, and concerts from the depths of hell. Over 300 pages of terrifying, bizarre stories about the hypnotic power of music and what happens when it gets into the wrong hands. Featuring: "Tears Like Rain," by Tim Waggoner, "The Brazen Bull," by Sofia Ajram, "Oil of Angels,' by Gemma Files, "This Loaded Gun of a Song Stuck in My Head," by Paul Michael An...
A hauntingly beautiful travel guide to the world's most visited cemeteries, told through spectacular photography andtheir unique histories and residents. More than 3.5 million tourists flock to Paris's Pè Lachaise cemetery each year.They are lured there, and to many cemeteries around the world, by a combination of natural beauty, ornate tombstones and crypts, notable residents, vivid history, and even wildlife. Many also visit Mount Koya cemetery in Japan, where 10,000 lanterns illuminate the forest setting, or graveside in Oaxaca, Mexico to witness Day of the Dead fiestas. Savannah's Bonaventure Cemetery has gorgeous night tours of the Southern Gothic tombstones under moss-covered trees th...
Mothers are the hand the rock the cradle and the true rulers of the world. In this anthology of 33 stories and poems, we explore the powerful, dangerous, and transcendent nature of mothers. Through the most compelling voices in science fiction, dark fantasy, and horror today, we stretch the concept of motherhood to its limits and show a side of Mother that you've never seen before. Featuring award-winning authors and the most captivating new voices in speculative fiction, this is 300 pages of compelling, weird, and awe-inspiring tales that will have you rethinking everything you know about that most secretive of all women: Mother. Featuring: "The Sire," by Steven Rasnic Tem"Last Leaf of an U...
At publication date, a free ebook version of this title will be available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. The Monastery Rules discusses the position of the monasteries in pre-1950s Tibetan Buddhist societies and how that position was informed by the far-reaching relationship of monastic Buddhism with Tibetan society, economy, law, and culture. Jansen focuses her study on monastic guidelines, or bca’ yig. The first study of its kind to examine the genre in detail, the book contains an exploration of its parallels in other Buddhist cultures, its connection to the Vinaya, and its value as socio-historical source-material. The guidelines are witness to certain socio-economic changes, while also containing rules that aim to change the monastery in order to preserve it. Jansen argues that the monastic institutions’ influence on society was maintained not merely due to prevailing power-relations, but also because of certain deep-rooted Buddhist beliefs.