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A Companion to Mester de Clerecía Poetry
Mester de clerecía is the term traditionally used to designate the first generations of learned poetry in medieval Ibero-Romance dialects (the precursors of modern Castilian and other Romance languages of the Iberian Peninsula). In its time, this poetry was anything but traditional. These long poems of structured verse reappropriate the heroic past through the retelling of legends from Classical Antiquity, saints’ lives, miracle stories, Biblical apocrypha, and other tales. At the same time, the poems recast the place of their authors, and learned characters within their stories, in the shifting dynamics of their thirteenth and fourteenth century present. Contributors are Pablo Ancos, Maria Cristina Balestrini, Fernando Baños Vallejo, Andrew M. Beresford, Olivier Biaggini, Martha M. Daas, Emily C. Francomano, Ryan Giles, Michelle M. Hamilton, Anthony John Lappin, Clara Pascual-Argente, Connie L. Scarborough, Donald W. Wood, and Carina Zubillaga.
A Bibliography for Juan Ruiz's LIBRO DE BUEN AMOR: Second Edition
This is an extensive listing of almost everything published about the fourteenth century Spanish "Libro de buen amor" by Juan Ruiz, Archpriest of Hita. It is essentially the same as the online bibliography at http: //my-lba.com but it also contains a history of this project starting in the 1970's and a listing of other bibliographies on this work of literature. In addition, it can be used in conjunction with the e-book version (which has a search engine) "A Bibliography for the Book of Good Love, Third Edition" found at Lulu.com.
Medieval Hispanic Studies in Memory of Alan Deyermond
"Professor Alan Deyermond was one of the leading British Hispanists of the last fifty years, whose work had a formative influence on medieval Hispanic studies around the world ... Given Professor Deyermond's breadth of expertise, the span of the essays is appropriately wide, ranging chronologically from the thirteenth to the sixteenth century, and covering lyric, hagiography, clerical verse narrative, frontier balladry, historical and codicological studies"--P. [4] of cover.
The Centre as Margin: Eccentric Perspectives on Art
'The Centre as Margin. Eccentric Perspectives on Art' is a multi-authored volume of collected essays that answer the challenge of thinking Art History, and the Arts in a broader sense, from a liminal point of view. Its main goal is thus to discuss the margin from the centre - drawing on its concomitance within study themes and subjects, ontological and epistemological positions, or research methodologies themselves. Marginality, eccentricity, liminality, and superfluity are all part of a dynamic relationship between centre and margin(s) that will be approached and discussed, from the point of view of disciplines as different and as close as art history, philosophy, literature and design, fro...
Between Two Worlds: The autos sacramentales of Sor Juana Inés de la Cruz
The seventeenth-century Mexican poet, playwright and nun, Sor Juana Inés de la Cruz, is best known for her secular works, most notably her damning indictment of male double standards, Hombres necios (Stupid Men). However, her autos sacramentales (allegorical one-act plays on the Eucharist) have received little attention, and have only been discussed individually and out of sequence. By examining them as a collection, in their original order, their meaning and importance are revealed. The autos combine Christian and classical ‘pagan’ imagery from the ‘Old World’ with the conquest and conversion of the ‘New World’. As the plays progress, the mystery of Christ’s ‘greatest gi ft’ to mankind is deciphered and is mirrored in Spain’s gi ft of the True Faith to the indigenous Mexicans. Sor Juana’s own image is also situated within this baroque landscape: presented as a triumph of Spanish imperialism, an exotic muse between two worlds.
A Guide to the Latin American Art Song Repertoire
A reference guide to the vast array of art song literature and composers from Latin America, this book introduces the music of Latin America from a singer's perspective and provides a basis for research into the songs of this richly musical area of the world. The book is divided by country into 22 chapters, with each chapter containing an introductory essay on the music of the region, a catalog of art songs for that country, and a list of publishers. Some chapters include information on additional sources. Singers and teachers may use descriptive annotations (language, poet) or pedagogical annotations (range, tessitura) to determine which pieces are appropriate for their voices or programming needs, or those of their students. The guide will be a valuable resource for vocalists and researchers, however familiar they may be with this glorious repertoire.
Federico García Lorca
Feted by his contemporaries, Federico García Lorca's status has only grown since his death in 1936. This book shows just why his fame has endured, through an exploration of his most popular works: Romancero Gitano, Poeta en Nueva York and the trilogy of tragic plays - Blood Wedding, Yerma and The House of Bernarda Alba.Feted by his contemporaries, Federico García Lorca's status has only grown since his death in 1936: poet, playwright, political martyr, gay icon, champion of women, defender of the oppressed. This book guides readers through the key themes and concerns in Lorca's work. It demonstrates how Lorca applied his poetic sensibilities and lyrical craft to what were, in essence, tang...
Billboard
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
La voz de la memoria, nuevas aproximaciones al estudio de la Literatura Popular de Tradición Infantil
Mucho antes de que los hombres inventasen la escritura, y por supuesto mucho antes aún de la modernización de la imprenta, los relatos y las canciones de tradición oral alimentaban esa necesidad tan humana que llamamos cultura y que tan bien logra satisfacer la literatura. Aquella literatura de tradición oral ha tenido desde siempre en la niñez a uno de sus principales aliados, ya fuese como emisores, como receptores, o simplemente porque estaban por allí, a los pies de sus mayores… Esa voz infantil de la memoria de los pueblos ha sido el tema de investigación y encuentro de unas jornadas iberoamericanas que nacieron en 2007 en el seno de la Universidad de Castilla-La Mancha, de la ...
Autotraduzione
Prefazione (Marcial Rubio Árquez - Nicola D’Antuono) __ PRIMA PARTE Linguistica e autotraduzione L’operazione autotraduttiva, ovvero la seduzione delle lingue allo specchio (Paola Desideri) L’autotraduzione «verticale» ieri e oggi (con esempi dalla Spagna cinquecentesca e novecentesca) (Rainier Grutman) Casi di autotraduzione endolinguistica: dal dialetto all’italiano (Sergio Lubello) __ SECONDA PARTE L’autotraduzione: Italia e Spagna La autotraducción en la Edad Media (Julio César Santoyo) Leon Battista Alberti traduttore di se stesso: Uxoria e Naufragus (Martin McLaughlin) Giannozzo Manetti e la traduzione umanistica (Alfonso De Petris) «Romançar lo que yo mesmo compuse»....
