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Touching the Stones
  • Language: en

Touching the Stones

In a 2007 article in The New York Times, David Barboza wrote about recent record-breaking auctions of Chinese art, "With auction prices soaring, hundreds of new studios, galleries and private art museums are opening in big cities like Beijing and Shanghai...Western galleries, especially in Europe, are rushing to sign up unknown painters; artists a year out of college are selling photographic works for as much as $10,000 each; well-known painters have yearlong waiting lists; and the Solomon R. Guggenheim Museum and the Pompidou Center in Paris are considering opening branches in China." This fifty-third issue of the respected Cologne-based, English-language art journal Jahresring is an in-dep...

International Edition - Berlin
  • Language: en
  • Pages: 166

International Edition - Berlin

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Zhang Wei
  • Language: en
  • Pages: 59

Zhang Wei

  • Type: Book
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  • Published: 2017
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  • Publisher: Unknown

Zhang Wei (born 1952), a founder member of the legendary No Name Group, has long been internationally regarded as one of the most important Chinese painters. This volume showcases a series of new abstractions and reaches back over a long career to paintings on paper made in Beijing parks in the 1970s.

In & Out of Amsterdam
  • Language: en
  • Pages: 174

In & Out of Amsterdam

  • Categories: Art

During the 1960s & 1970s, Amsterdam was a nexus of intense art activities, drawing artists from all over the world. 'In & Out Of Amsterdam' presents more than 120 works - including works on paper, installations, photographs & films - by artists who were part of this remarkable creative culture.

The Way Is Made by Walking
  • Language: en
  • Pages: 219

The Way Is Made by Walking

Pilgrimage is a spiritual discipline not many consider. In these pages Arthur Paul Boers describes his month-long journey on the Camino de Santiago in Spain, a classic pilgrimage route that ends at the cathedral where St. James is buried, opening to us his incredible story of renewed spirituality springing from an old, old path walked by millions before.

Art-pop-city
  • Language: en
  • Pages: 263

Art-pop-city

Tiré du site Internet de Revolver: ""Iguanas are as old as they look. They are said to have a nearly unmatched ability to adapt to various environments, from hot desert regions to tropical rainforests, the equator to so-called temperate zones, seacoast to snowline. The systematic categorization of the iguanas (Iguanidae) is controversial and not exactly easy because there are no simple key characteristics and no classical biotope. In any case, the iguana family belongs to the reptile class and within that, to the Squamata group of reptiles which orginated roughly 200 million years ago, (actually scaled reptiles). It was not until 100 million years later that the iguana developed in the new ...

Tracing Contemporary Chinese Art
  • Language: en
  • Pages: 160

Tracing Contemporary Chinese Art

This book explores the author's ten-year ethnographic journey in different locations in Shanghai. His immersion in China’s art world is grounded in a topology of places and new ways of writing and deploying history today. The ethnographic approaches to experiencing, analysing and representing space offer a critical tool to explore a different version of realism invisible in the nominal art and art history paradigms. As the market and institutional norms are still being defined, this book also documents and analyses how individuals have strived to negotiate boundaries in the art world and thus create unique selfhood. Instead of conventional methods of periodisation and stylistic analysis, this book presents a historiographic strategy emphasising the philosophical significance of spatial realism to offer insights into history, subjectivities and political institutions.

Negotiating Difference
  • Language: en
  • Pages: 375

Negotiating Difference

  • Categories: Art

Contemporary Chinese art is still a young field now being opened up to critical academic research. Negotiating Difference is a pioneering collection of articles which engage with contemporary Chinese art in a global context. The contributions collectively address the urgent methodological question of how to describe, contextualize and theorize artworks and artistic processes in and beyond the People's Republic of China since the end of the Cultural Revolution. The studies break new ground as they chalk out the transcultural entanglements of which art and its practices partake and which they in turn reconfigure. The book features 20 essays written by a select group of international junior and senior scholars engaged in ambitious and methodologically innovative research on contemporary Chinese art. Their multi-faceted, in part interdisciplinary approaches are complemented by four contributions by distinguished practitioners in the field, who - as art curators and critics - are located in China and explore key developments within Chinese art and the changing art scene of the last three decades.

The Conformed Body: Contemporary Art in China
  • Language: en
  • Pages: 272

The Conformed Body: Contemporary Art in China

  • Type: Book
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  • Published: 2024-07-01
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  • Publisher: BRILL

Through the perspective of the ‘conformed body’, this groundbreaking book examines the role in art of everyday conformist practices in the People’s Republic of China, such as mass assemblies and bodily trainings and exercises, as well as their impact on people’s perceptions and collective memories. It identifies related artworks, reassesses artistic interpretations with critical reflections, and explores a key origin of artistic productions in post-Mao China. Featuring 200 colour illustrations, the book discusses works by more than 30 internationally acclaimed Chinese contemporary artists, including Ai Weiwei, Geng Jianyi, Song Dong, Xu Bing, Zhang Peili and Zhang Xiaogang.

Zhang Peili
  • Language: en
  • Pages: 97

Zhang Peili

  • Categories: Art

Considered the first Chinese artist to work in video, Zhang Peili (b. 1957) manipulates perspective, close-ups, and framing to create astonishing recordings of banal repeated actions, such as breaking glass, reading, washing, shaving, and blowing bubble gum. He is a pioneering figure, experimenting with a video camera in the late 1980s, exploring digital formats in the early 2000s, and developing large-scale, immersive scenes today. Despite Zhang's pivotal role in the global history of video art, his oeuvre has received relatively little attention. This book, which includes insightful essays, color plates, and an illustrated chronology, is one of the few in-depth explorations in English of this important artist's work.