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Anais IV Sehum
Neste caderno de resumos expandidos estão contidos os resultados prévios de 22 das investigações em desenvolvimento, distribuídas nas mais variadas temáticas, dentro das duas linhas: práticas de pesquisa em ensino de humanidades e formação de professores em ensino de humanidades. Os textos aqui organizados referem-se ao IV SEHUM - Seminário de Pesquisa em Ensino de Humanidades, ocorrido em setembro de 2019.
Humanidades, inclusão e diversidade no pensamento contemporâneo: problematizando a educação dos últimos tempos
Obra dedicada a reflexão da educação brasileira dos e nos últimos anos. Os escritos resultam de práticas e experiências com pesquisas que investigam os espaços escolares e problematizam os saberes/fazeres que ali acontecem. Obra provocativa para os/as que trabalham com a educação no Brasil.
Ausências e excessos
Derivada de debates realizados pelo NETSIB – UFES, a Coleção Pensamento Social Brasileiro reúne textos de pesquisadores interessados nas relações entre intelectuais, cultura e democracia contribuindo decisivamente para a área de estudos do pensamento social brasileiro, em uma rara combinação de linguagem acessível e rigor científico.
Human Ecology
'The scope and clarity of this book make it accessible and informative to a wide readership. Its messages should be an essential component of the education for all students from secondary school to university... [It] provides a clear and comprehensible account of concepts that can be applied in our individual and collective lives to pursue the promising and secure future to which we all aspire' From the Foreword by Maurice Strong, Chairman of the Earth Council and former Secretary General of the United Nations Conference on Environment and Development (Earth Summit) The most important questions of the future will turn on the relationship between human societies and the natural ecosystems on ...
Cinema Genre
Genre – or 'type' – is a core concept in both film production and the history of film. Genres play a key role in how moviegoers perceive and rate films, and is likely to determine a film's production values and costs. Written in a clear, engaging, jargon-free style, this volume offers a cutting-edge theoretical overview of the topic of genre as practiced in British, American and French film criticism. Organized by a series of simple but fundamental questions, the book uses numerous examples from classic Hollywood cinema (the western, drama, musical comedy, and film noir) as well as some more contemporary examples from European or Asian cinema that are so often neglected by other studies in the field. How do we characterize genre and what are its various functions? In what ways does genre give a film its identity? How do genres emerge? What is the cultural significance of genre and how does it circulate within and across national boundaries? Informative and user-friendly, Moine’s book is accessible to general readers and adapts easily to a wide range of teaching approaches.
Weimar Cinema and After
German cinema of the 1920s is still regarded as one of the 'golden ages' of world cinema. Films such as The Cabinet of Dr Caligari, Dr Mabuse the Gambler, Nosferatu, Metropolis, Pandora's Box and The Blue Angel have long been canonised as classics, but they are also among the key films defining an image of Germany as a nation uneasy with itself. The work of directors like Fritz Lang, F.W. Murnau and G.W. Pabst, which having apparently announced the horrors of fascism, while testifying to the traumas of a defeated nation, still casts a long shadow over cinema in Germany, leaving film history and political history permanently intertwined. Weimar Cinema and After offers a fresh perspective on t...
Understanding Criminology
This revised and updated text provides the student with an accessible understanding of the current nature of criminological theory. Its main focus is on development in criminological theorizing since the late 1970s paying particular attention to right realism, left realism and developments arising from the influence of theorizing around gender. The relationship of criminological theory and knowledge to current policy agendas is given particular attention in this second edition, and a key concern of the text is to paint a picture for the student of the complex interplay between criminology, criminal justice, social justice and politics. The author concludes by offering an insight into some of the theoretical concerns that might better inform the future development of criminological theory. In all, this represents a useful theoretical text for students of criminology and trainees in criminal justice, including clear summaries, an expanded glossary and suggestions for further reading.
Film/Genre
Film/Genre revises our notions of film genre and connects the roles played by industry critics and audiences in making and re-making genre. Altman reveals the conflicting stakes for which the genre game has been played and recognises that the term 'genre' has different meanings for different groups, basing his new genre theory on the uneasy competitive yet complimentary relationship among genre users and discussing a huge range of films from The Great Train Robbery to Star Wars and from The Jazz Singer to The Player.
