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Presence
New poems, translations, interviews, and book reviews in a yearly literary journal for Catholic Poetry.
Able Muse, Winter 2016 (No. 22 - print edition)
This is the seminannual Able Muse Review (Print Edition) - Winter 2016 issue, Number 22. This issue continues the tradition of masterfully crafted poetry, fiction, essays, art & photography, and book reviews that have become synonymous with the Able Muse-online and in print. After more than a decade of online publishing excellence, Able Museprint edition maintains the superlative standard of the work presented all these years in the online edition, and, the Able Muse Anthology (Able Muse Press, 2010). ". . . [ ABLE MUSE ] fills an important gap in understanding what is really happening in early twenty-first century American poetry." - Dana Gioia. CONTENTS: WITH THE 2016 ABLE MUSE WRITE PRIZE...
Better Than Starbucks March 2019 Premium
The Interview: Charles Baudelaire & three poems translated by Norman R. Shapiro. Featured Poems: Annette Marie Smith, Charles Weld, Jerome Betts. Free Verse: Timothy Robbins, Raymond Byrnes, Luis Cuauht?moc Berrioz?bal, Michelle Gardner, and more. Haiku: James Babbs, Elaine Wilburt, Loris John Fazio, Jack Priestnall, Bobby Horn, Asad Jaleel, Thalia Dunn, Diane Lowman, Armando Quiros, and more. Formal Poetry: Aaron Poochigian, Richard Wakefield, Susan McLean, Tom Merrill, David Berman, Bruce Bennett, John Ridland, Barbara Loots, A.M. Juster, Siham Karami, and more. Poetry Translations: Kim Cherub, Ren?e Vivien, Tijana Rako
To Love the River
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Frozen Charlotte
Susan de Sola’s Frozen Charlotte spans the breadth of human experience-from celebration to lamentation, from gravity to lightheartedness, from domestic and quotidian scenarios to historic upheavals and their aftermaths, both European and American. She skillfully deploys an impressive range of formal styles and free verse in her debut collection. De Sola's Frozen Charlotte manifests all the hallmarks of a seasoned poet in surefootedness, wit, and depth of empathy.
PRAISE FOR FROZEN CHARLOTTE
The breadth of Susan de Sola’s poetry, by turns gossamer light and solemnly elegiac, offers a pleasurable aesthetic surprise fr...
Oxblood
Oxblood, Nicole Caruso Garcia’s debut poetry collection, testifies unflinchingly about the short- and long-term effects of a college student's rape by her fiancé. As the poet engages with this serious topic, her arsenal includes wit, wordplay, and even humor. The diverse structures of traditional received forms—the sonnet, the sestina, various French repeating forms, the Afghan landay, blues tercets—form interesting contrasts with free verse poems in this collection. Oxblood was a finalist for the 2022 Able Muse Book Award. PRAISE FOR OXBLOOD: Oxblood is a collection so fierce and yet so vulnerable that it demands to be read in one sitting, even though some of the poems leave you raw....
Shahr-e-jaanaan
“I fell captive to the spells of its stories—Scheherezade and her command over wild nights of imagination come to mind. Maybe it's the way Talukder manages to both evoke Urdu poetic tradition and create her own—these poems swoon with the restrained sensuality of the old world while dancing with the glittering passions of the new. Let yourself get caught up in this book's wondrous whorls and whirls—you won't regret it." —Tarfia Faizullah, author of Registers of Illuminated Villages and Seam “After everything we thought we knew about ourselves, and our loss, there is more to find: 'When the color left / my cheeks,' the poet writes, 'You / left too.' This book is an exquisite lyrica...
حلب الشهباء في عيون الشعراء، المجلد الثالث: حلب في شعر الرثاء المعاصر (بين عامي 1102 و0202)
حلب في شعر الرثاء المعاصر (المجلد الثالث من موسوعة حلب الشهباء في عيون الشعراء) وثيقةٌ تاريخيّة وأدبيّة جمعتْ أكثر من 008 قصيدة من قارات العالم الخمس، كُتبت في رثاء مدينة حلب بين عامي 1102 و0202 إثْر الدمار الكبير والمؤسف الذي تعرّضتْ له جرّاء الحرب الدائرة في سورية. يتضمن الكتاب 7 فصول، يستقصي خلالها حسن قجّـة القيمة الفعليّة والرمزيّة لمدينة حلب في مراثي الشعراء، وكيفية انعكاس ذلك في قص...
