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Este livro reúne mais de 20 textos que são o resultado de palestras e comunicações proferidas durante a I Jornadas do Laboratório de Estudos de Gênero e História - LEGH, intitulada Gênero, Poder e Subjetividades, realizada na Universidade Federal de Santa Catarina - UFSC, em Dezembro de 2015. O livro, produção que comemora os 10 anos do LEGH, é composto por capítulos produzidos por pesquisadoras que integraram e integram um dos principais grupos de estudos de gênero do país. A obra está dividida em 4 partes: Gênero e interdisciplinaridade; Gênero, ensino e trajetórias de pesquisa; Gênero, feminismos e sexualidades e Gênero, feminismos e ditaduras no Cone Sul.
Este livro é resultado de anos de pesquisas sobre as ditaduras e os feminismos no Cone Sul. Ele retrata um período de terrorismo de Estado e a resistência que as mulheres protagonizaram em diferentes países do Cone Sul, como Brasil, Argentina, Bolívia, Chile, Paraguai e Uruguai. O contexto de cada país definiu as formas de luta e a trajetória destas lutadoras mostra a potencialidade de suas ações, como militantes, integrantes de organizações políticas, clandestinas, exiladas, torturadas, etc. As experiências de vida de várias delas estão retratadas nesta obra, dividida em sete capítulos.
Considerar a contribuição e os desdobramentos que a série de eventos do Seminário Internacional Fazendo Gênero repercutem nos diferentes contextos e campos dedicados aos feminismos e estudos de gênero desde sua primeira edição – ocorrida ainda no século passado – vão ao encontro de seu compromisso em mobilizar debates em torno desses temas. Sediado na Universidade Federal de Santa Catarina (UFSC), o Fazendo Gênero tem sido pensado e organizado pelas pesquisadoras, parceiras e colaboradoras vinculadas ao Instituto de Estudos de Gênero (IEG/UFSC) e, desde sua criação, é marcado pela insígnia do esforço coletivo em promover um espaço de interlocução. Este livro congrega textos acadêmicos, artivistas, contribuições artísticas e relatos de experiência pensados a partir das discussões realizadas durante o 12º Seminário Internacional Fazendo Gênero, ocorrido de forma virtual em 2021.
The decades around 1800 constitute the seminal period of European nationalism. The linguistic corollary of this was the rise of standard language ideology, from Finland to Spain, and from Iceland to the Habsburg Empire. Amidst these international events, the case of Dutch in the Netherlands offers a unique example. After the rise of the ideology from the 1750s onwards, the new discourse of one language–one nation was swiftly transformed into concrete top-down policies aimed at the dissemination of the newly devised standard language across the entire population of the newly established Dutch nation-state. Thus, the Dutch case offers an exciting perspective on the concomitant rise of cultural nationalism, national language planning and standard language ideology. This study offers a comprehensive yet detailed analysis of these phenomena by focussing on the ideology underpinning the new language policy, the institutionalisation of this ideology in metalinguistic discourse, the implementation of the policy in education, and the effects of the policy on actual language use.
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
Inside the most controversial issue in sports Traumatic brain injury in football is not incidental, but an inevitable and central aspect of the sport. Starting in high school, through college, and into the NFL, young players face repeated head trauma, and those sustained injuries create lifelong cognitive and functional difficulties. Muchnick's Concussion Inc. blog exposed the decades-long cover-up of scientific research into sports concussions and the ongoing denial to radically reform football in North America. This compilation from Muchnick's no-holds-barred investigative website reveals the complete head injury story as it developed, from the doctor who played fast and loose with the fac...
Japanese folklore abounds with bizarre creatures collectively referred to as the yokai ― the ancestors of the monsters populating Japanese film, literature, manga, and anime. Artist Toriyama Sekien (1712–88) was the first to compile illustrated encyclopedias detailing the appearances and habits of these creepy-crawlies from myth and folklore. Ever since their debut over two centuries ago, the encyclopedias have inspired generations of Japanese artists. Japandemonium Illustrated represents the very first time they have ever been available in English. This historically groundbreaking compilation includes complete translations of all four of Sekien's yokai masterworks: the 1776 Gazu Hyakki Yagyō (The Illustrated Demon Horde's Night Parade), the 1779 Konjaku Gazu Zoku Hyakki (The Illustrated Demon Horde from Past and Present, Continued), the 1781 Konjaku Hyakki Shū (More of the Demon Horde from Past and Present), and the 1784 Hyakki Tsurezure Bukuro (A Horde of Haunted Housewares). The collection is complemented by a detailed introduction and helpful annotations for modern-day readers.
"War has been commemorated since ancient times. The recent First World War centenaries are proof that remembering conflict continues to produce strong feelings among people of all walks of life. But how, in the twenty-first century, can we do commemoration better? In particular, how can commemoration contribute to post-war reconciliation and reconstruction? In this book, a global roster of distinguished individuals - poets, an international human rights advocate, musicians, policy-makers, novelists, academics, a sculptor, a world-renowned architect, members of different faiths, composers, a Pulitzer prize-winning journalist and military veterans - debate these questions and ponder the future of commemoration. The book focuses on three modes of commemoration: Textual Commemoration - commemoration in writing and images; Monumental Commemoration - monuments, architecture, museums, sculptures, battlefields and sites of mourning; Aural Commemoration - music, sound and silence. Polemics and reflections together with poetry and creative prose movingly illuminate a subject that is sensitive and sobering but which also speaks to our common humanity"--
Participam do projeto: Cristina Scheibe Wolff, como coordenadora geral; Karina Janz Woitowicz e Ana Rita Fonteles Duarte, como integrantes das instituições associadas, orientando as bolsistas de Iniciação Científica Barbara Maria Popadiuk, Luana Magalhães de Paula (2017) e Elyssan Frota dos Santos (2018). Participam também as mestrandas bolsistas Luísa Dornelles Briggmann e Binah Irê Vieira Marcellino, além dos bolsistas de pós-doutorado Soraia Carolina de Mello (2017) e Jair Zandoná (2018). O projeto contou ainda, como integrantes, com as professoras Joana Maria Pedro, Janine Gomes da Silva, Cláudia Regina Nichnig, Cintia Lima Crescêncio, Jaqueline Zarbatto, Erica Dantas Brasil, Maise Caroline Zucco, Maria Helena Lenzi, Giovana Ilka Jacinto Salvaro e Juliana Salles Machado Bueno.